Wednesday, 23 December 2009

Evaluation

In what way does your media product use, develop or challenge forms and conventions of real media products?

Throughout the majority of our text we challenged the traditional conventions of real media products, to give our film a slight twist to others, modernise the horror/slasher genre with binary oppositions.

For example, we used a female as the antagonist, perhaps showing a feminist style approach to the genre. We felt it would make the plot a more interesting one, and as we are all females making the product, it made it easier to produce for us, as the antagonist was simply one of the 3 of us. Also i feel using a brunette as the antagonist worked well as stereotypically final girls are brunettes, signifying power and independence, brunettes always seem to come across as reserved, which would also be a feature of a killer. It may also fool people as they will think she is the final girl rather than the killer.

This could also create male gaze having a female killer - such as in jennifers body, having a female antagonist worked to their advantage and appeals to males and females as a film.


We followed the convention of having a young teenage cast for a horror, as they are the main target audience, in which films as such appeal to as they can relate to the situation more, and find genres like this much more entertaining than other age groups do. As we are also teenagers we felt it would be easier to have a cast this age group as we can ask friends to be the actors/actresses and we can also use ourselves.


Although we do have a part youth cast of 13 years old which we did struggle to get hold of, and also people wont relate to this age group, but we only used them for the opening few minutes of the film, creating the vital part of the storyline. We also felt it had intertextual links to other films such as Nightmare on Elm Street with the young girls singing a song creating a spooky feel, young children seem to often be used in horrors as a signifier of horror such as in The Unborn, The Ring, The Sixth Sense etc.


We also used another binary opposition for the voice over, as it is usually a male deep voice, strong and powerful to attract attention. But as we have a mostly female cast and a female killer we thought we could do it with a twist by using a female voice over, we still had to make it quite powerful, but we feel it will still connote a horror film.


Using a male as the final boy rather than having a final girl also we did to challenge the conventions of a horror film, and it gave the film a main male figure which without, wouldnt really have one and would connote a slight rom-com style chick flick film, as for example in the sex and the city trailer it was all females until the last 20 seconds where a male figure comes into shot. This is not what we wanted to create as we want a wide target audience of males and females. We felt this could also give a female gaze to the film, having a strong independent man in the picture may help raise the female audience.







How effective is the combination of your main product and ancillary texts?

Our original poster lacked many details which common magazines have, our initial magazine had 2 images on either side of the poster, which is very unconventional for a poster and is quite confusing for the audience. The big blocks of colour made the poster look unprofessional, it also didn't have enough detail and links to other films of the same genre. The Masthead also wasnt large enough.
Although some effective devices were used, such as the fonts connotes the horror genre well and the red colouring signifying blood also does the same. The name of the magazine also worked well as the word panic can be linked in to tension, and a signifier of watching scary films.
As our original magazine lacked the detail and looks of an effective mag. we decided to redo it, and added much more detail to it, such as the price, in £ and $, and also the month of release. The masthead now is right across the top and is covered by part of the picture on the front, which attracts more attention to it. 

Using just the one picture is much more common, we especially took one rather than getting a still, so we could get the exact style we wanted rather than being limited to shots from the trailer. 
We also used intertextual links to other films such as jennifers body, saw VI, and Giallo to make it look more realistic. Alot of the links to other things inside the magazine was found from other front covers when i was doing research into what went onto the cover. And is also the same target audience as what our film is aimed at.

The magazine was featured in the trailer, with a review of the film. Which we thought was a very affective marketing device as perhaps followers of the magazine would then be more likely to watch the film.


We felt making a horror magazine rather than a magazine for all genres was more suitable as the majority of horrors are low budget and made by indies, so would be unlikely to have our film on the front cover of magazines such as Empire.



Our other ancillary text was a film poster, we began with a teaser poster with a limited amount of information on it, just to attract an audience, it had a blue tint to it to signify the horror genre and the girls face was normal on one side and more spooky on the other, creating a juxtaposition between the 2 and connoting the girl may be a major part of the plot, either being the protagonist or antagonist. Our tagline we used also links into the storyline, and is in serif font to signify again that it is a horror. We also put the blog adress at the bottom as a potential marketing device to make audiences find out more. This poster leaves alot to the audiences imagination and creating a narrative enigma which is what we wanted to achieve.


Our second poster we reused the pictures from the initial magazine as we realised we could still use them to our advantage, we created several copies of the young girls image at different levels of opacity to signify the progression in time. We added much more detail to this one, with all producers, editors, etc at the bottom of the poster, incase their is anyone who could bring a following.
We used the tagline from the trailer 'their are 2 sides to every story' to link them together as another potential marketing device.
An issue with the poster still is that the older actress is in black and white and the younger is in colour, which confuses the progression in time and would have looked much more effective either all in black and white or the other way round, the images are almost too juxtaposed to show that they are meant to be the same girl.
Also the text could have been in a wider range of colours, as with the background, perhaps if there was a hint of red within the text, simply in the name of the film it would have signified much more that the film was a horror, as at the moment it could be linked into films such as Donnie Darko, and The Butterfly Effect.
 




What have you learned from your audience feedback?

 The first feedback we got was from our media class, which is all in all our target audience for the film, so worked perfectly under the circumstances, we firstly wanted to know whether the idea of the girl being possessed when left in the woods by her friends, or captured and tortured was a better idea, the majority of the class felt the first idea was much too confusing to follow, and would be much harder for us as a group to film it well and effectively, the second idea made much more sense as she then had more of a reason to want to come back for revenge. This also links in to the 'accidental death' in I know what you did last summer



We then as a group were torn between the idea of having the face of the killer shown in the trailer, and made clear who it is, or having a mask, or something to hide their identity, everyone felt that hiding their identity would make a better storyline and create a narrative enigma for the audience and give them more reason to want to watch it.



For the killings we weren't sure what weapons to go for, and whether to go for traditional weapons or more fallic objects that would link into the female gender.
 So we decided on using somebody washing their face, somebody being strangled by a scarf and somebody being dragged from under a bed. The majority link in in some way to the female gender, but are still scary and appealing to males and females.


We were also told to have a male as the final boy, to create more of a narrative enigma for who the killer is, as people will assume it is the boy rather than the girl.


After taking some practice footage and showing it to the class, the main issue that arose was lighting, most of the shots lacked visual quality as the shots were too dark, and the majority we had to reshoot.

Everyone thought the bath shot was effective, and the sink shot, although we needed to add another shot in of the killer coming towards her, a kind of 'over the shoulder' shot.



The car scene people also said we needed a closer shot as she was being strangled to create more tension and more of a match on action sequence. They also said we needed something more than a hand such as a scarf to attract more attention, which worked much better when shooting it a second time.

People also found it hard to grasp the link between the beginning of the film and then the second half, especially with the new male character making an appearance, to make it easier to follow we took a shot of the male character going into his locker, seen with the killers mask who abused the young girl earlier on, connoting he is the killer.


When we had produced our rough cut, we then again asked for feedback, we were told our tagline needed to be in 3 shots as there are 3 main killings, which would attract more attention to the killings.


We also had to produce some stills of shots towards the beginning of the trailer as they were too short and were hard to take in and we needed to create more exposition for the audience. Then we had to make the majority of the shots towards the end much faster pace to raise heartbeat and take breath away. 


Our final audience feedback was that the trailer would be much more effective with a voice over, which at the time we didnt have much time to do. We decided on using a female voice over as a binary opposition and to fit in with the rest of the film, we felt it may also attract to both males and females for male gaze and the feminism aspect of it.


How did you use new media technologies in the construction and research, planning and evalutation stages?

The main technology we have all used throughout our coursework is Blogger which made it very easy to plan ideas, edit sections and add bits to them and was also easily accessible wherever you are, i feel it makes the coursework look much more presentable and professional.


Sites such as Scribd and Photobucket helped to upload images and documents to back up important points. And are also easy to share between the group.



Google in general also helped me with much of my research, without the internet and things such as wikipedia my coursework would lack many vital details. Although i did get a large amount of information from books.


Photoshop was absolutely vital in making both posters and the magazine. I already new how to use many features on it but feel i am now at a much higher level of knowing how to make things stand out and look good on it. It has so many features you can produce almost anything you want at a high standard on it.


iMovie 06 was also very useful, as we didnt know many skills for using final cut express 4 we did a large amount of it on iMovie which we had already learnt everything from the year before, it is extremely easy to upload clips, cut them and link them together with transitions and adding sound. Although if we used Final Cut for the majority of it we would have come out with a more effective professional final piece we didnt have the amount of time it would have taken us to grasp the basics on it so felt it wasnt worth the hassle.


We used iDVD 06 for burning the final cut to a dvd, which is made simple for those who have never used it before and you can produce a nice opening screen with stills of the film and the name of it etc. although you could not go into as much detail as scene selection etc.

Audio software such as iTunes and Garageband we used to record our soundtrack which was produced by someone who volunteered within school on iTunes which as we produced our own music to fit in with the genre and cuts within the trailer think it should add a boost to our final peice and make it look more professional.


We used a portable digital recorder for the voice over and the girl singing at the start as it was high quality sound and very easy to record and upload.


For all of our recording of the film we used a DV Camcorder, which we had used the year before so new how to use straight away, it is a simple camera which you can change the settings on depending on what lighting et. your in to give the best shot. And picks up sound well which we found important for a trailer.


We used a scanner to upload many important things for the progress of our trailer, such as the storyboard and post preduction scheduale. Which helps us keep track of what we want to change or what we need to do next etc.


We did the majority of work on mac computers, especially the actual trailer itself as we dont have access to iMovie 06 or photoshop on our normal PC's , although alot of the blogging i did on my own computer as i can access it whenever i am free.


Social networking sites such as facebook helped us get much needed feedback on our rough cut and other scenes, as it is mostly that age range we all have on facebook..so helped get ideas from many different point of views.














 

Friday, 18 December 2009

Final Cut

Test Footage



Our first test footage was to see if the area where the young girl gets 'killed' was suitable and looked right, and we thought it created a good effect being pushed downhill


This next shot was to see if the campfire area looked like it was in a field/wood area rather than a garden, it did look slightly more like a garden but we found it difficult to shoot somewhere where we would have permission to build a campfire


We also tried the car killing in the backseat of the car to see how different it would be, and if it would be better to have more of a P.O.V shot, but it was too dark and we found it difficult to create artificial light inside the car. It was also harder to see the killing so there wasnt as much suspense built up.

we used some artificial lighting for under the bed and this footage was to see if it would work well or not, we felt it did look good and the spotlight effect worked well, attracting more attention to fran.

We did some running shots around the woods, but we felt the running didnt look right, or like she was scared..it looked more 'camp' style, and it also looked like a completely different scene from the one before it so we had to think it through in more detail

Pre Production Schedule

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Thursday, 17 December 2009

Original Storyboard

Storyboard                                                                                                                                                

Inter-Textual Links

We felt if we linked our film to many well known horror films it would be useful for attracting a wider audience.
The mask idea we got from films such as scream, my bloody valentine, and friday the 13th, it is a very popular convention of a horror film


The linking from past to present idea we got from films such as my bloody valentine, halloween, black christmas and prom night. I feel using this idea creates more of a narrative enigma, and the plot more exciting for the audience to watch.


Having a female killer we thought was different, but worked well in urban legend. We also thought it created a strong powerful woman, a binary opposition to what is usually portrayed in horrors, and also links into jennifers body, as she is also a strong powerful woman over men and women.

Institutional context

As our film is a horror/slasher film, it is very typical for it to be a low budget film, as the majority of  them are unless they include special effects, for example Dracula, and  Frankenstein and Tim Burtons Sleepy Hollow & Sweeney Todd.


Which also links in with horrors conventionally being produced by indie companies, such as WarpX and W2.


In Horrors there are not usually high profile actors, stereotypically a lot of famous actors/actresses began as low profile actors in horrors and thats how they got there following, for example Drew Barrymore.


The identity of the killer is also almost always hidden, and dont find out who they are til the last 15 minutes of the film, which is one of the reasons we used a mask to hide our identity in our trailer.




Film Poster



Our first original poster (left) lacked a lot of detail, and when getting feedback, we were told the pictures at the bottom didn't make any sense, or fit in with the other main pictures. The hair was also out of place as it was a lot longer than the little girls hair.
Taking all this into account, we researched in more detail into film posters, typically horror posters, and felt they have one main picture linking to the plot, and genre, rather than many different ones. We also added in names of cast, directors, producers etc. to make it more realistic.
We felt the font we used was a stereotypical for a poster. And our production logo in the bottom made it more realistic.




Rough Cuts


We tried the bathroom scene with more lighting to see if it looked clearer or better, but it lost the whole effect of horror, and suspense, so we decided to shoot it with just one light so the mask face was shadowed and darker.

We then tried the flashing of the mask face to be intercut with the other shots, and because of a small light on you could see alot of objects in the background which werent meant to be part of the mise en scene


The bedroom scene where the girl gets a suspicious unknown phone call, we tried once and when looked back on it the lighting wasn't up to the high standards it should have been, so we had to re shoot to make the quality of the shot better.


We did the shot of the girl at the fridge, thinking she is being watched from inside the house, but it didn't really work because it didnt make sense for her to be watched if the shot wasn't a P.O.V shot of the killer. So we re shot from outside the house in the garden.


We tried a shot of the school but it wasnt framed correctly so didnt look quite right, so we re shot it more central, with more of sophie in the frame.

Post Preduction Script

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sop media 2


Post Producation

Tuesday, 15 December 2009

Friday, 11 December 2009

Target Audience




Our Film Target Audience is BBFC rating 15.

15 –
Suitable only for 15 years
and over
No one younger than 15 may
see a ‘15’ film in a cinema.
No one younger than 15 may
rent or buy a ‘15’ rated
video work.









Discrimination


The work as a whole must not endorse discriminatory
language or behaviour.


Drugs


Drug taking may be shown but the film as a whole must not
promote or encourage drug misuse. The misuse of easily
accessible and highly dangerous substances (for example,
aerosols or solvents) is unlikely to be acceptable.


Horror


Strong threat and menace are permitted unless sadistic
or sexualised.




Imitable behaviour


Dangerous behaviour (for example, hanging, suicide and
self-harming) should not dwell on detail which could be
copied. Easily accessible weapons should not be glamorised.


Language


There may be frequent use of strong language (for example,
‘fuck’). The strongest terms (for example, ‘cunt’) may be
acceptable if justified by the context. Aggressive or repeated
use of the strongest language is unlikely to be acceptable.


Nudity


Nudity may be allowed in a sexual context but without
strong detail. There are no constraints on nudity in a
non-sexual or educational context.


Sex


Sexual activity may be portrayed without strong detail.
There may be strong verbal references to sexual behaviour,
but the strongest references are unlikely to be acceptable
unless justified by context. Works whose primary purpose is
sexual arousal or stimulation are unlikely to be acceptable.


Theme


No theme is prohibited, provided the treatment is
appropriate for 15 year olds.


Violence


Violence may be strong but should not dwell on the infliction
of pain or injury. The strongest gory images are unlikely to
be acceptable. Strong sadistic or sexualised violence is also
unlikely to be acceptable.
There may be detailed verbal references to sexual violence
but any portrayal of sexual violence must be discreet and
have a strong contextual justification



Our trailer includes an all caucasian cast meaning the target audience will also mainly be caucasian, may not appeal to other ethnic groups. But our target audience is only the UK as we are a low budget film company so we have no issues with it being a one cultured cast.

Our socio-economic grouping is C1C2DE as horrors tend to only appeal to certain groupings, not many AB groupings would find it appealing to watch, and the cast is all in the C1C2DE grouping so it makes more sense.

Our Age target is from 15-24 as that is the youth audience we feel will find this genre appealing, it is also because our cast are all in that age ( apart from our young cast )range as well so they will be able to empathise with the victims/cast more. Although as this has many intertextual links to films such as Friday the 13th, Halloween & Scream. Which are all majority older horror films, it may appeal to a slightly older audience who will be able to relate to it.


We have a whole northern cast, specifically yorkshire, so we may have a regional following and appeal specially to our area. Such as films like Donkey Punch and This is England. So it will not appeal to other countries, but we know it will be popular in UK, as parts of it are stereotypical of UK

Film Magazine Front Cover




We originally did the first magazine front cover, but was told from feedback that it didn't look like a conventional film poster, and that there were many problems within it.
Including, the masthead being small and not going across the whole top of the magazine, and stereotypically the portrait on the front would cover part of the masthead.
We were also told that the writing had to be to the sides of the image, round the edge, so it is less confusing to the eye.
The blocks of colour and shapes also didn't look right and made the poster look not thought through.
Also we were told to add more detail about other films, perhaps out at the moment to show we did some research into our genre, or magazines.


Our second poster we took all this into thought adding much more detail, i feel the genre is signified much more effectively, and it looks like a more realistic film poster. We also researched into other films which suit our film to go on the front page. For example paranormal activity, a new just released low budget horror film, which i thought fitted perfectly.


I got many ideas for it from empire and total film magazine front covers i have researched, such as..a twilight one i looked into detail at what was written,  'exclusive sneak peak'
'must see movies' i saw on many front covers so i thought it would make it look realistic to put it on, also researching into the most popular horrors from 2009 to give everyone a taste for what would be inside, which i thought would attract people into buying it if it was a real magazine.


I thought the picture signified the genre effectively, as it is very dark and solemn, as is the background colour black, which i new wasn't very typical for general front covers but as it was a horror i thought it would connote it well, also i saw an empire front cover with a black background and dark photo,which drew alot of attention to the magazine, photo and writing, so inspired me to do the same

Monday, 30 November 2009

Film Magazine Research

Empire is populist in both approach and coverage unlike less irreverent and more 'serious' magazines such as Sight and Sound. It reviews both mainstream films and art films, but feature articles concentrate on the former.
The regular Top 10 feature lists Empire's choice of the top ten examples of something film-related. For example 10 Best Chase Scenes or 10 Best Movie Gags in The Simpsons.


http://en.wikipedia.org/wiki/Empire_magazine






http://www.filmfun.info/
1922 - 1942

Film Comment features critical reviews and in-depth analysis of mainstream, art-house and avant-garde filmmaking from around the world
http://en.wikipedia.org/wiki/Film_Comment










Total Film, published by Future Publishing, is the United Kingdom's second best-selling film magazine. It offers film and DVD news, reviews, and features. The magazine was launched in 1997 and is published every four weeks

It provides a range of features, from full-length interviews, with established and up-and-coming actors and directors, to major film previews, from Top 100 lists to retrospective pieces — all illustrated with film stills and profile shots. All issues contain The Total Film Interview — an in-depth chat with a celebrated actor or director, along with a critique of their body of work and a rating of each major film to date.
In 2004, a Total Film survey of 25 British film critics produced a list of their Greatest British Films of All Time. In 2006, Total Film released a magazine featuring the top 100 films, as selected by a readers' poll.

Screen 
the main cinema reviews section. Major releases receive comprehensive coverage, with a star rating out of five and the magazine's own Predicted Interest Curve
Buzz 
Provides details on upcoming films including new releases, film events, new talent, interviews and fun articles.
Lounge 
 A home entertainment guide, including latest DVDs and (occasionally) soundtrack CDs, movie-related books and games. There is also a periodic retrospective of a particular film, entitled "Lounge Loves", as well as other large-scale features that are DVD-related.
The Total Film Quiz 
a four-page section generally includes a montage round, a crossword and a variety of questions.
Each month, it offers a DVD or other film-related prize for each published letter. Additionally, TF features a monthly competition, which can be entered by post or text message. Prizes are usually hardware.
The magazine usually finishes with a one-page parody of a recent release entitled "The Abridged Script".
http://en.wikipedia.org/wiki/Total_Film







FILMINK is an Australian film magazine published monthly by FKP International Exports since July 1997. It calls itself as "Australia’s Best Movie Magazine."

Common elements include the extended "front of the book" section called "Keeping It Reel" with small features like "New Faces," "Dumb Ideas," "Hollywood Arseholes," "Talking Movies," "Director’s Cut," "Cameo," "Icon," "FILMINK Loves," "Backstory," "Role Model," "Premiere", "quoteUNQUOTE" and "What's Wrong With the Australian Film Industry with Reg Diplock, the peoples critic".


http://en.wikipedia.org/wiki/Filmink













Common Codes & Conventions




  1. Many different font sizes within the cover
  2. Common to have a high profile actor/actress at that point in time on cover.
  3. Photo often covers part of masthead.
  4. Background colours/ theme of page etc, matches the genre of the film displayed on front
  5. Don't have much text, often plain covers.
  6. Most have humour linked in to cover, or taglines
  7. Date of Magazine always shown.
  8. Usually some sort of special featured within to capture the audience